35mm film photos are very hit and miss. The pictures from Málaga are pretty terrible; quite dark and all the shadows tinted green, the pictures from Helsinki are a bit overexposed (blame the snow) and 17 are missing altogether and most of the pictures from Switzerland in January are a bit dark. But the pictures from Denmark are… good. They’re actually good. I’ve got 34 of them and they kind of look like the sort of pictures you’d take of your holiday in the 90s, when you didn’t have the option of a backup digital camera and smartphone in your pocket. For what it’s worth, this is ISO 400, which does a little better in lower light and what I’m more likely to take somewhere Nordic with unpredictable weather but I’m thinking that maybe I’ll give up on ISO 200 and stick to the 400.
Because there are so many of them, I’ve grouped them together.




First up, the pictures from Roskilde. Ok, they’re not as good as digital pictures but come on, they’re not bad! They’re retro, they’re nostalgic and you can actually tell what they are without having to mess around with them first.


A grand total of two of Malmö. I’m always surprised that selfies come out even vaguely in focus; it almost feels like cheap point-and-click cameras were designed with just the right focal length for selfies.









Oh, I have so many pictures of Stevns Klint and they’re all pretty good! Look at how the sea sparkles! I want to print these all out and stick them all over my office! The colours are a bit muted compared to their digital equivalent but compared to all the film photos I’ve taken this year, they’re bright and vivid and the sea is teal and I think they’re great. This is why I carry a second camera around with me; the hope of a day like this where I get nine perfect pictures.





My Copenhagen pictures. Considering I spent at least three days in and around Copenhagen itself, I really should have more pictures than this. I’m quite pleased with both my Little Mermaid and Genetically Modified Little Mermaid pictures and even the cemetery selfie, which should have come out as a green-tinted underexposed mess, is surprisingly good.












Oh, Christiania was just made for film! It’s quite intimidating because there are zones that are outside Danish law and they have their own local laws – mostly that means there are places where you’re not allowed to take photos but it’s not necessarily obvious to outsiders where that is. On the other hand, it’s very colourful and very arty and very leafy and it just works so well with the vintage aesthetic of the film pictures.
So an unmitigated triumph! Best set of film photos I’ve ever taken and totally vindicates carrying a film camera around!